Tag Archives: evocation

How can I summon Zepar?

My answer to How can I summon Zepar?

Answer by Alex Sumner:

First of all, Goetic demons, like Zepar, are not human friendly. They are in fact very dangerous. It is because they are dangerous that they are powerful.

This does not mean that one should be terrified of them. The elaborate procedures laid down in the Lesser Key of Solomon for evoking Demons are safety precautions for dealing with spirits properly.

Perhaps the reason for your apparent failure to summon is Zepar is unrealistic expectations of what happens when Goetic spirits manifest? If so, I recommend reading the accounts of what other magicians have experienced when working with the Goetia, e.g. Lon Milo Duquette’s My Life With The Spirits.

How can I summon Zepar?

1 Comment

Filed under Supernatural

Making A Goetia Floorcloth

New video: in which I record my efforts at making a full-size Goetia floor cloth, a la Lesser Key of Solomon the King.

Leave a comment

August 7, 2015 · 9:19 pm

Prayers and Invocations…

Selfie!

Selfie!

This is in response to an interesting question posted on Facebook, which I decided merited a lengthier response than can normally be fitted in to the usual reply box.

Celina Huezo wrote:

Just curious, do you guys use prayers invocations and hymns taken from books and the internet or do you write your own?

My initial response was a glib “Yes.”  However, a fuller explanation would go something like this:

I have performed a large number of rituals in my time, so I have had the opportunity to both use adapted resources and compose my own. When I first read The Golden Dawn by Regardie, I noticed that he had no qualms about copying and pasting from various sources, so I thought: “Hell! Why don’t I do the same?”

What I tend to do is use the Golden Dawn’s Z2 formula, which because it is a skeleton outline only, actively requires the composer to incorporate ritualistic passages which they have acquired from somewhere, whether that be a pre-existing source or from their own devising.

Fortunately, all of the classic grimoires are now in the public domain, and freely available on the internet, so I often use large chunks lifted from them. Resources which I would recommend include:

I do not claim to be a purist. As I suggested with the Lesser Key of Solomon above, on occasions I have made slight though not radical alterations to the words in their various forms to suit my particular purpose. For example, in regard to the Greek Magical Papyri, I took an invocation of Aphrodite for the purpose of Divination, changed about half a dozen words, and thereby turned it into an invocation of Aphrodite generally. I have published the results here – from memory I believe the words I inserted were “the knowledge of Thy divine self.”

On other occasions I have attempted to compose my own – some of which have been spectacularly successful. I have fond memories of a Mercurial ceremony I performed several years ago in which the main conjuration was an eight-line poem I had written specifically for the purpose.

Apas (i.e. Water) tattva

Apas (i.e. Water) tattva

Another method I have found effective is to ask an appropriate spirit-guide for assistance when composing an invocation. So, for example, weeks or months in advance of invoking Water, one might clairvoyantly go on a tattva-journey into the realm of Elemental Water and ask the beings one meets there to help compose a suitable invocation for your ceremony – likewise with other Elemental etc forces.  This can be particularly effective as then one will automatically know that the invocation is linked to the forces one has already experienced psychically.

Regarding Hyms per se, I have recently been experimenting… though not in the field of ceremonial magick. At the request of the Worshipful Master of a certain Masonic lodge, who asked not to be named, I re-wrote the lyrics of the Opening & Closing Odes for their meetings, to reflect the kind of spiritual forces envisaged by Walter Wilmshurst – a masonic writer whom Israel Regardie admired. Wilmshurst is known today as a writer on the spiritual dimension of Freemasonry: although what is less well-known is that he attempted to compose variations to the Masonic ritual which would have made them comparable in efficacy to the Golden Dawn. Needless to say, because UGLE does not deal with spirituality, according to its Deputy Grand Master, I have full confidence that my attempts at lyric-writing may yet get banned – I shall report back if this happens.

2 Comments

Filed under Supernatural

Ask A Wizard: Is Magic Real?

1 Comment

Filed under Supernatural

666-step Reframing: NLP and Goetic Evocation

In this blog post I shall be discussing the Dark Side, and attempting to argue that that which is commonly called “black magic” may in fact be turned to a wholesome end.

“Goetia” as a general term refers to magic which deals with “evil” spirits. More specifically it also refers to a portion of the mediæval grimoire The Lesser Key of Solomon, which was made famous in modern times by being a favourite of Aleister Crowley (1875 – 1947). The term “goetia” derives from a Greek word for “howling spirits,” and is thus a direct translation of the Arabic Djinni (Geni), who were the howling desert spirits of middle-eastern folk-lore.

I have heard some people try to claim that the spirits of the Goetia are somehow not evil. However I disapprove of this notion: because denying they are evil is one step away from denying they are powerful. The fact of the matter is that they are dangerous. Somewhat like electricity is dangerous. But if properly handled, Goetic spirits – also like electricity – can be made to do remarkable things.

Also, going from past experience, I would say that all of the well-known horror stories – of bizarre creatures appearing, of succubi, of demons trying various schemes whereby to trick the magician, etc – are in fact all true. There is a saying in the occult: “it does not matter whether the gods exist or not, because the Universe behaves as if they do.” Unfortunately, the same can be said for Goetic spirits as well.

The only qualification I would make to the statement that they are all true, is that these phenomena do not appear physically, but to the psychic consciousness of the magician – before the “mind’s eye” as it were. Nevertheless, these visions do produce actual effects in the real world.

I have also discovered that, during my researches into Lucid Dreaming I noticed that such magical operations also affect one’s dream-life as well. To illustrate this I will give an example of a Goetic operation which I did badly: I offer it to my readers so that they can learn from my mistakes. The night after performing a goetic operation I retired to bed and had a vivid but non-lucid dream of a highly erotic or pornographic nature. This I went along with, stupidly not thinking anything of it. Many days later it transpired that the intended result of the operation had not come to pass, thereby indicating that it had ended in failure. It was only later that the penny-dropped: the dream I had experienced was in fact the spirit I had evoked, appearing as a Succubus! Clearly, what I should have done was: (a) recognise it for what it was; (b) become lucid; (c) astrally use the techniques of ceremonial magick to compel it to do my bidding, e.g. force it into a Triangle of Art, command it by the various Divine Names, etc. Since then, with the benefit of experience I have performed operations which were more fruitful.

The fundamental point to understand is that the person who follows the path of pure Theurgy is seeking after something that is good, is trying to make contact with beings (e.g angels) who are more than willing to assist the individual, and who are inherently beneficial to him or her. Goetia however is a completely different technique: the Goetic magician has to do the magical equivalent of wearing protective clothing and using force to conjure a spirit, because of its troublesome nature. I write all this not to encourage the reader to practice Goetic magic, but to give you fair warning. None of this should be taken as implying that one should treat the subject with superstitious terror, but rather with a sense of due caution.

Now some people may balk at the idea of actually wanting to deal with a supposedly-evil spirit (whilst others might embrace the idea a little too readily), but I say this: qualitatively, what is the real difference between this and, say, working on re-integrating the Shadow Persona, as C G Jung would describe it? Or, to adopt a Freudian idiom, the abreaction of psychoneuroses contained within the unconscious? Mental problems, emotional problems, behavioural problems – mankind has suffered from them since antiquity, the only difference being that in ancient times they were demonised and given names like “Paimon,” “Buer,” etc, but nowadays they are called “Repression,” “Neurosis” and all the rest.

Therefore, if I am correct in my suspicion that Goetic-magick is really ancient man’s attempt to confront the demons of his unconscious (by taking the metaphorical for the literal), how much more would it be improved if it were re-interpreted in the light of what is known about psychology?

With this in mind, I have been working on a particular method of Goetic-Magick-As-Therapy, by incorporating some of the principles of neurolinguistic programming therein. Specifically the NLP technique of “6 Step Re-framing.” The rationale for this is that supposed problems are assumed to be caused by parts of the psyche which are in fact well-meaning, but which apply their powers in methods which are incongruent and thereby cause disharmony. Hence, by confronting these parts of the psyche, the technique aims to persuade them to fulfil their objectives by abandoning their old, unhelpful, and incongruent methodologies with harmonious new congruent ones.

I immediately saw the parallel with Goetic Magick. The parts of the psyche which “6 Step Re-framing” attempts to address are analogous to the spirits of the Goetia, whilst the actual process of confrontation, negotiation and re-framing is akin to the kind of interaction with a spirit which takes place in an evocation ceremony. I have thus sketched out a structure which attempts to show how one would indeed incorporate 6-Step Re-framing into an actual Goetic operation, below. In the method I refer to the actual Goetia of the Lesser Key of Solomon itself.

1. Determine the cause of the problem – probe in depth to see the underlying characteristics. Compare to astrological chart if necessary.
The Goetia of the Lesser Key of Solomon is a grimoire which is closely based on astrology. Hence by relating the perceived problem to an astrological basis, one will be able to translate it more easily into the Goetia’s idiom, and that of ceremonial magick generally.

2. Identify which Goetic spirit most “personifies” the cause of the problem identified in step 1 above.
This can be done in two ways. By following the astrological method, one will notice that the spirits of the Goetia are associated with certain parts of the Zodiac, and with certain planets. Hence, by noting the position of the planets in one’s own astrological chart and comparing with the Goetia, one may work out which of the 72 spirits are likely to be most relevant to oneself.

3. Prepare for and proceed with evocation in the normal manner. In my personal work I try to be as authentic as possible, with regard to temple furnishings, preparations, etc. Once everything is in place and I am ensconced within my magic circle, the order of the ritual would go like this:

a. Banishings – i.e. with Lesser Banishing Rituals of the Pentagram and Hexagram.
b. The Preliminary Invocation (otherwise known as the “Bornless Ritual.”)
c. Specific pentagram and / or hexagram rituals as appropriate. These will be determined by the astrological sign with which the Spirit is associated, and also the Spirit’s planet.
d. Evocation – the “First Conjuration of the Goetia.”
I usually only use the First Conjuration, as the subsequent ones sound less and less like forcefully commanding the Spirit, and increasingly like plain old whining.
e. The “Welcome to the Spirit” (from the Goetia) on its manifestation.
Note that, as I have explained elsewhere, this refers to manifestation to the psychic consciousness or within the skrying medium (e.g. dark mirror), not literally appearing out of thin air.
f. Negotium – this is the actual Reframing. I describe it in detail below.
g. “Licence to Depart,” followed by final Banishings to close the ceremony.

4. The Negotium follows this specific structure:

a. Identify Spirit; identify problem to be changed; express appreciation for what the Spirit has done so far (i.e. for the intention, not how it has done it); reassure Spirit that you are not going to get rid of it.
b. Go inside and ask “Will N. communicate with me in consciousness now?” Be alert for internal sights, sounds, feelings. If signal occurs, try to repeat consciously; ask again until signal occurs which cannot be controlled consciously.
Ask Spirit to increase the signal to indicate “Yes,” and to decrease it for “No.” When it does –
c. Thank Spirit for co-operating. Ask: “Will N let me know what it is trying to do?”
On “Yes” signal and revelation, thank for information and for doing this. If there is a “No” signal, explore circumstances in which Spirit would be willing to reveal its intentions. (Otherwise assume positive intentions).
Ask: “If you were given ways to accomplish this intention at least as well if not better than what you are doing now, would you be willing to try them out?”
If “Yes” – proceed to next step. If “No,” the Evocation is flawed. Go back to step 4(b) or start the whole thing again.
d. Ask the Spirit to communicate its positive intention to your own Higher Genius.
Ask your Higher Genius to generate ways that will accomplish the same purpose.
Ask Spirit to choose only those it considers good or better than original behaviour, which are immediate and available. Ask it to give “Yes” signal when it makes choice. Do this three times. Then thank your Higher Genius when finished.
e. Ask Spirit if it will agree to do new choices rather than old behaviour in next (e.g.) two weeks? (NB: this is an arbitrary figure – choose a time-frame to suit if more appropriate).
On “Yes,” proceed to next step.
On “No,” tell Spirit it can still use old behaviour but you would like it to use the new choices first. If it now gives “Yes,” proceed to next step.
If however it still gives a “No,” reframe the objecting part and take it through the 6 steps again.
f. Ecology. Ask: “Do any other spirits object to these new choices?”
Be alert to signals.
If there are no signals, thank Spirit and proceed to Licence to Depart.
If there is a signal, ask the new Spirit to intensify it if it really objects.
If not, proceed as before to Licence to Depart.
Otherwise, either go back to step 4(b) with regard to new Spirit, or ask your Higher Genius to come up with new choices in consulting with the new objecting part. (Submit these to Ecology Check as well).

2 Comments

Filed under Supernatural

… but then we shall see face to face.

John Dee, the famous Elizabethan Mathematician, Scholar and Occultist, continues to exercise a powerful hold over the British imagination. So much so that British newspaper The Guardian this weekend featured a nice article this weekend about Dee’s “Shewstone” or black-obsidian disc with which he got Edmund Kelly to skry all the wonders of what we nowadays call Enochian Magic.

The article in question was about a new exhibition at the Tate St Ives (Cornwall, not Cambridgeshire) about magic and modernity. This proved to be somewhat ironic as according to the article, the exhibition neither featured the work of a modern magic practitioner, nor did it feature John Dee’s Shewstone. Ah well, serves me right for reading such a miserable excuse for a paper. Back to The Daily Telegraph for me in future!

But this got me thinking that I should take this opportunity to write a blog piece about Dark Mirrors and their use in magic generally.

A “dark mirror” or Speculum (not to be confused with the medical instrument of the same name) is not so much a conventional mirror but a black shiny surface in which one’s reflection may be perceived. It is used in magic for evocations.

Now a number of magicians seem to think that when performing an evocation, the spirit somehow materialises within the Triangle of Art out of thin air – but a survey of both classic magic texts and modern sources suggests that this is not the case. A great many texts suggest that the object of evocation is to make a given spirit appear in some sort of skrying medium: the most famous example of which would be the classic Crystal Ball.

However a number of other media have also been described as being used – e.g. Dee’s black-obsidian disc, or a bowl of water (a technique favoured by the Ancient Egyptians) or a small quantity of black ink held in the palm of one’s hand. Anything in fact which is black and shiny.

Paschal Beverly Randolph (1825 – 1875) advocated the use of dark mirrors for skrying purposes. He recommended using two sheets of glass, one flat and the other (the skrying surface) concave: the space between the two sheets of glass was to be filled with black ink. Randolph also wrote down practical instructions for getting started in dark-mirror skrying. (See his book Sexual Magic).

Eliphas Lévi (1810 – 1875) famously attempted to evoke the spirit of Appolonius of Tyana into a mirror. Technically he succeeded (he claimed that an apparition of Appolonius appeared) but for all the good it did him he might have just as well tried reading the tea-leaves.

Franz Bardon (1909 – 1958) in his book Initiation Into Hermetics also describes how to create magic mirrors for the purpose of skrying. According to Bardon there are several methods – such a mirror can be made from an actual mirror or glass bowl, a concave glass disc (such as can be obtained from clock-makers), or bowl which has been made by oneself out of plaster-of-paris. Knowledge of what Bardon calls “fluid condensers” – substances which attract magical influences in a kind of very simplified alchemy – is necessary to render the mirror effective. Once prepared – and assuming that one undergoes all of the other steps required for magical training – the magic mirror can be used for skrying the various planes of existence, contacting dead people, contacting magical entities, and numerous other magical effects.

The most famous practitioner of dark-mirror skrying today is Carroll “Poke” Runyon, founder of the Ordo Templi Astarte. Runyon has stated that he re-discovered the practice all by himself in the early seventies, and uses it to contact the seventy-two spirits of the Goetia of the Lesser Key of Solomon (whilst using a crystal ball for contacting angelic beings). See The Magick of Solomon.

What is being observed when one looks into a dark mirror? The reductionist-materialist would say that it is merely a dim reflection of oneself. However, in every case of evocation with which I am familiar, the magician does not just sit down in front of the object, but prepares himself with a great deal of magic ritual, which involves concentration and entering into an ecstatic or visionary state of consciousness. Runyon for example explicitly states that both raja yoga and self-hypnosis are necessary requisites for proper skrying in the dark mirror. Therefore although the physical cause of the apparition is the dim reflection of the skryer, what the skryer perceives is in fact the sum total of the influences at work on his or her mind at that particular moment, due to the magical ceremony in progress.

There is a description of a dark mirror skrying operation in my novel which I do not recommend readers carry out literally – it is meant to be the direct opposite of what a normal respectable magician would do in real life. On the other hand it is meant to convey an authentic flavour of what a vile, degenerate luciferian ceremony would consist.

Finally I should point out that several magicians claim that it is not necessary to “see” a spirit in order to evoke it properly. Lon Milo Duquette for example has claimed success with Goetic operations, but readily admits that when he evokes a spirit he feels its presence rather than seeing it. In Chaos Magick, an evocation refers to evoking the effects of a magical force to physical manifestation, not necessarily to evoking a visible appearance of the force itself.

Leave a comment

Filed under Comment, Supernatural, The Magus