Originally published in The Occult Review, 1908, v7 May p259.
A LEGEND arose in the time of the Lutheran outburst of a mysterious master called Christian Rosenkreutz, who was buried for a period of all years in the central cavern of the earth. His shrine was seven-sided, and all the symbols of the universe were said to have been found disposed round him in this place. The Egyptian tradition of Seker, the god in the central cavern of the Duat, evidently found an echo in the heart of the inventor of this legendary father 01 mysteries, and it will be interesting to try and discern the meanings of the main symbols of the Rosenkreutz legends in Egypt and in Germany.
The Egyptian Duat, or Underworld, was represented by a five-foldstar, or star of five radiations, enlarging as they receded from the centre, and therefore not bearing the same symbolism as the pentagram. The Rose is fivefold in its structure and is a well-known symbol of silence. The stages of its existence pass from the bud, or potential state of pralaya, to the unfolding of its leaves as the pleroma, or fulness or manifestation of creative power. Consciousness, thought, reasoning, will, and the sense of individuality are five of its powers; the five senses are other manifestations of the same symbol. When the pollen of a flower is ripe the creative work begins, the petals fall and the fruit and seed are formed. The processes of life are a rhythmic coiling and uncoiling; a radiation and attraction, and an emanation or separation. The fruit coils round the seeds, the juices pass to and fro, and finally the busk of the fruit bursts and the seeds fall out separately as emanations, each complete in itself.
So in the degrees of human enlightenment the purest state is Being so unified and perfect that the kind of consciousness that depends upon comparison cannot exist. The second state is the sense of being without bounds, which is often called wisdom. The third state is discernment, or understanding, and may be attained by concentration of the subjective mind upon an object until full understanding is attained. And these states of the unmanifest consciousness arc called Sat-Chit-Ananda in the Vedantic philosophy and Ain-Soph-Aur in the Kabalistic philosophy; and Ptah-Seker-Osiris was the concrete image of these ideas ill Egypt.
Now the Rose of the Rosicrucians was a more complicated symbol than the Cup. As we have seen the Cup was a symbol of creation, and its form was connected with the symbol of a circle in contrast to the Cross. The symbol of the Rose contains five petals and five divisions of the calyx. It is evidently the symbol of creation in activity, not in potentiality only. Perhaps we may believe the Rose to be a symbol of the subtle body of man, which is one with nature, and the Cross the symbol of the body and the name of word of man. The union of the Rose and Cross would symbolize a man able to unite himself to the great powers of Nature, or tatwas, familiar to us under their Hindoo names Akasa, Vayu, Tejas, Apas and Prithivi, or the kingdoms of sound, sensation, perception. absorption and reproduction more commonly called hearing, touching, seeing, eating and generating.
Now the notion of obtaining the natural powers of an adept is most apparent in the traditions that come through Egypt and Chaldea, and the idea of the super-essential state in contrast to power is most apparent in the Oriental traditions. The high caste Oriental has the aristocratic spirit that conceives the height of life on this world to consist in the delicacy of perception associated with perfect self-satisfaction, while the democratic spirit of the West cannot conceive itself without desires, struggles and potencies for gratifying desires : democracy wishes to do and to have; aristocracy is sufficient unto itself.
Rosicrucianism and Alchemy are both allegories constructed by these working democratic minds, and in the alchemical symbolism we can trace the exact degrees of initiation through which the man, still under the great race delusion of progress, must pass before he realizes that his real self is the same yesterday, to-day and forever.
It is true in a sense that this treasure of all sages, this knowledge of Being which all mystics seek, forms itself vehicles in time and space in which it carries out the imaginations which spring from the relative side of absolute consciousness, and it is interesting to trace the different degrees of attainment.
Alchemical symbolism is mainly the symbolism of distillation.
To take a simple process, let us imagine that we desire to obtain the white and the red tinctures from honey. The alchemist would put the honey in the cucurbite of an alembic. Placing it over a gentle heat be would drive the essential part of the spirit into the bead or beak of the alembic, whence it would pass as steam into the neck of the receiver end become liquid once more as it cooled. This liquid was the white tincture, or spirit of honey mixed with water. This is the symbol of that concentration and meditation whereby the mind of man becomes subtilized and fit to perceive philosophical impressions. The white tincture is the symbol of light and wisdom.
But to obtain the red tincture of power a far more complicated process had to be performed. It consisted mainly of pouring back the distilled spirit upon the black dead-head that had been left as residue in the cucurbite and by the exercise of great care and the addition of certain matters acting upon the mixture in such a way that finally the whole of the original matter .was distilled and no black dead-bead remained and a wonderful red tincture was the result of the transmutation of the black nature.
This symbolical process involves the passing through definite stages of progress in the world of changing life. Let us imagine it carried out to its logical conclusion upon our own earth. We know that the mineral kingdom is the state in which form lasts for infinite ages and can stand great heat and cold without destruction. We know that the giants of the vegetable kingdom last many hundreds of years, but although the process of their growth and decay it prolonged they are not capable of resisting fire or of existing in the frozen zone. We know that certain animals, such as elephants, tortoises and parrots, live for very long periods of time. All these creatures have greater tenacity of existence in the forms or vehicles of life than the human creature.
It is also plain that as the earth becomes more and more subject to violent change, when the great floods and the ice and the burnings visit it, in its old age conscious life must exist in more enduring but 1ess complex, sensitive, visible forms than it does at present. Now consciousness of Being is the name we give to the white tincture which the adept distils from his human form in the alembic of the mind. It is brought about by the fire of imagined emotion and devotion under the stress of intense concentration. To focus thought has the same effect as to focus sunlight. It becomes & force analogous to heat. It is, in a word, emotion evoked by the skill of the sage. In this fire the Adept raises his consciousness until it is separate from the gross body, and no longer aware of the objective world. Passing through the gate of dreams it enters the subjective world and lives in its own brightness. Here it learns that it can create infinite visions and glories, and here the saints rejoice, each in his own heaven. Here finally the sage perceives his own divinity and is united to his God. This is the white initiation in the eyes of the Rosicrucian doctors, and according to the scriptures of the alchemists the sage has gained the white tincture. The objective world only remains in his consciousness as blackness and ignorance and death. In his divine nature he seeks to redeem the dark world, to draw it up into the divine nature and make it perfect. His vision can now show him a world in which man can no longer exist in material human form. His own desire for wisdom has drawn up the human element out of the visible or objective state. He is no longer merely a man in a human body because his subtle body has possessed itself of the characteristic human faculty of self-conscious comparison, the origin of wit, laughter and criticism.
The humanity that is beyond animal consciousness has the power of acting and knowing at the same moment; it can seem one thing and know at the same time that it is another. It is not a noble quality; it is nothing more than the power of laughing at ourselves: and yet it is the great redeeming quality, for it is the germ of all wisdom and enlightenment.
The ordinary dreamer lives in his subtle body as the fool of his own fancy, and the dream shows how little human wisdom his subtle body has obtained: but the subtle body of an adept can perceive the illusionary formulation of panoramas of light and form arising from the half-seized impression of light falling at a certain angle across the red edge of a blanket and the linen of a sheet just as he closes his eyes. The dream of the sage is a consciously guided dream. Like an author, he writes his own dramas and delights in the joys and tragedies of his creation, He no longer suffers from the attacks and sorrows that his own mind creates, but observes them with excitement and interest. He watches his own tears and cuts into the heart of his own emotions.
These are some of the experiences of the sage who has transferred the human principle from the body of matter to the subtle body.
The material body may in this stage of enlightenment be considered as a beautiful and healthy animal; it carries on the physical functions in temperate ways, unaccompanied by the fantastic imaginations of a human being. And there is little doubt that the bull of Apis was considered to take the place of the body of the adept Osiris in this way. The body of a sacred animal would answer every purpose for the divine man whose invisible body bad attained some degree of complex, conscious life. The nervous forces of the animal world act as the physical basis for the dream-powers of the subtilized or deified man.
In China the flying dragon, the mythical combination of all kinds of animal life, represents the body of the deified man that can command all the elemental states of matter that can exist in the air, the fire, the earth and the water. The dragon is the symbol of the material body of the being who has complete command of the elemental world and afterwards becomes the subtle body in the further stage of being of which we are told in Druid tradition.
When the earth grows older and complex animal forms such as flying-fish and sea-serpents and monstrous alligators, can no longer exist, another symbol must be taken from the writings of the Rosicrucian doctors and the alchemists, and we enter upon the study of the Tree of Life. He who eats of the fruit of the Tree of Life will become one with the Elohim, or creative gods, and will live for infinite ages.
Imagine the world enveloped in a great white cloud, moist and warm like a hot-house ; giant palms and ferns and mosses dripping with moisture: a climate like that of the Cocoa-palm Islands off the west coast of Africa, where animals and men can only live a little time. In this world the adept would use some marvelous tree as the physical basis of his life: and his subtle body would have drawn up into itself all the forces of motion that make a tree less powerful to our minds than an animal. The subtle body in this state would have become a veritable dragon of complex forces. It would have drawn into itself the mixed sphinx-natures of the birds and the fish, the creeping things and the four-footed creatures. The dryad of each tree would be a mighty Druid; the great Pendragon would have his oak as a physical form and would exercise his power in reality as we can imagine the ancient Druid sages exercised theirs in imagination.
This state of the subtle body may perhaps have been symbolized by the Green Dragon of the alchemists, but the Red Dragon arose after still further distillation.
Now we have to imagine a world all fire and molten glory of flame, in which. no tree or flower could exist: a world in which wonderful agate trees would circle the white crystals of their pith with bands of violet and hyacinth and blue melting into stretches of pale chalcedony and shrouded in dark crystal bark, their branches glimmering with emerald leaves: a world in which mineral life has learned at last to show itself in perfect form, where light and fire glowed alternately and played with elemental shapes and images of beauty. And so, at last, we come to the last symbol of the alchemists – the symbol of the final perfection, the Summum Bonum, the Philosopher’s Stone.
Let us imagine what that state would mean for the adept : his gross body a pure ruby, a perfect crystalline form with all the powers of growth, of nourishment, of reproduction drawn from the vegetable kingdom into his subtle body, carried on without disgust or satiety through the beautiful mediums of fiery blossoms and shining leaves ; his subtle body almost visible as a light shining in the fiery world; his children flowers of flame and his physical form an everlasting memory of beauty; his mind an all-pervading consciousness in which blossoming imaginations arose or subsided under the law of his will: a perception unified with a faculty that ordered joy to succeed sorrow and sorrow to succeed joy because he knew that one cannot manifest without the other. A supreme artist, he would rejoice in creation; a supreme critic, he would rejoice in contrast.
So the red tincture would be attained and the black, the white and the red worlds explored and analysed in the imagination of the Rosicrucians and alchemists of the Middle Ages.
We still see the same desire for progress among those who strive for the ancient stone here in this western democratic world of men who desire “to have” and “to do.” But these circles of everlasting recurrence so dear to Friedrich Nietzche are not what he called them. They are not aristocratic.
The aristocracy of mind is shown in the philosophy of Villiers de I’Isle Adam, who cried; “As for living, our servants can do that for us.” It is the feeling of the great Buddhist intellect who sees that in the words “I am not” there is a wonder and a vision and song far exceeding the mere ideas of limited ecstasy and knowledge concealed in the words “I am.”
The Divine Current: It works!!!
Constance: The Tragic and Scandalous Life of Mrs Oscar Wilde
When a candidate to the Golden Dawn is obligated, he or she has to swear a terrible oath, the breaking of which entails sinister occult penalties for those who are foresworn. In the Cipher Manuscript the penalties were described simply as:
In the original Golden Dawn, this was described more colourfully as:
At Whare Ra this was rendered:
In the Bristol Temple of the Stella Matutina, whence Regardie half-inched the rituals that he published in The Golden Dawn, the corresponding passage is rendered:
So basically we can infer that the penalty was meant to be some pretty heavy-duty magic, like being struck down by a lightning bolt – only the Bristol temple decided to water it down and make it sound like some kind of fluffy-bunny politically correct version.
Now some people with an interest in esoteric Freemasonry – or at least, those people who remain in Freemasonry longer than two minutes so they can appreciate how esoteric it can be – will be aware of the Symbolic Penalties. Furthermore, they may be interested to know if they are not already aware that after you see through all the blood and gore, each Symbolic Penalty relates to a chakra: the first to the Throat; the second to the Heart; the third to the Solar-Plexus. This has further led people like Sebottendorf to speculate that the S…s – which relate to the Symbolic Penalties – indicate the way energy flows in a particular degree.
Now let’s look again at the original Golden Dawn obligation. Whilst the Cipher Manuscript merely talks about death or palsy, the version created by Mathers says: “as if slain by the Lightning Flash.” Oh-ho! The Lightning Flash is also the symbolic arrangement of the Sephiroth on the Tree of Life! So perhaps Mathers too had this instinctive grasp of the relation between the Symbolic Penalty and the Energy Flow. Perhaps the real meaning – i.e. the real nuance that Mathers was trying to convey – was that if a Neophyte did not integrate the lightning flash (i.e. the Tree of Life) in his or her soul, then they would end up being destroyed by it instead. If this be true, and it appears quite reasonable, then we have to thank Mathers and his knowledge of the true value of Freemasonry for getting this point across.
There is however one problem with this whole business of being slain by the Lightning Flash, and that for all the oath-breakers in the original Golden Dawn there is no evidence that any of them ever suffered it. Until now. Some enterprising historian has actually discovered that at least one member of the Golden Dawn was actually struck down from creeping paralysis and was overwhelmed with misfortune after she left the order: Constance Wilde, wife of the famous playwrite. In a story published in the Sunday Express today, it is alleged that Constance Wilde left the order after only a year as a member and revealed such as she had learned to her husband. Everyone is familiar with the calamities that befell Oscar thereafter, but apparently she herself died aged 40, after having suffered from paralysis in her arms and legs.
Crikey! So the deadly stream of power does work after all! Ironic, then, that with all the people who did break their oaths and damaged the order, she was the only to succumb. Even more ironic is the fact that if you read Wilde’s output there is no evidence that he made use of any of Constance’s secrets. Want more irony? The first London production of Salome was put on in 1905 … directed by Florence Farr. 😉
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Tagged as Constance Wilde, Florence Farr, Franny Munro, Golden Dawn, Oscar Wilde, Sunday Express