Tag Archives: Library & Museum of Freemasonry

The Vault of Amoun Temple

I have recently discovered an interesting titbit of information regarding Amoun Temple – the London based temple of the Stella Matutina, which was extant during the early part of the twentieth century. Specifically, what it used as its Vault of the Adepti.

Amongst the papers emanating from Amoun Temple was one written by Finem Respice (Robert Felkin) concerning the use of the Vault of the Adepti. The main body of the paper is identical with the version reproduced in Regardie’s Black Brick: however, it has a short but intriguing preface.

(It also has an after-word, describing the Third Order. I will not discuss this at this time, except to say that I consider Felkin’s take on it rather fanciful, and a perfect example of Floccinaucinihilipilification. I leave it here in case my readers get more from it than I did.)

Unfortunately we are unable for the present to have a permanent Vault, a permanent home for the Inner Order. It is the point at which I aim, and some day I hope we shall be able to afford an Inner Shrine.

Meanwhile, there is no reason why, when we are able for a few weeks to keep the Vault up, it should not be used by all who are eligible, and it has occurred to me that some remarks on its proper use may be appropriate at this time, as we do not intend to dismantle it till after Corpus Christi on June 15th. [1911]

G H Frater F. R. (Robert Felkin)

What this shows is that Amoun Temple did not have a permanently installed Vault of the Adepti. Instead, it appears that they only had one for a month or less each year, whilst the rest of the time it was either in storage or being used somewhere else (nb: this document is dated May 18th 1911, less than a month before Corpus Christi). During the short space of time that it was available, they worked all the Adept grades that were due that year, as well as the Corpus Christi Ceremony, in addition to affording time to Adepti to perform skrying in the Vault.

Quite apart from this document, which is in the archives of the Library & Museum of Freemasonry at Freemasons Hall in London, I have in my possession material from another source entirely which indicates that Amoun Temple worked all the Adept grades: Adeptus Minor 5=6; Adeptus Major 6=5; Adeptus Exemptus 7=4; as well as the Transmission of the Etheric Link. I presume that they must have done so using this arrangement: working them in a temporarily-installed Vault whilst they had it available. (I have seen no evidence that they worked the 8=3 and 9=2 grades, but that might be just be a shortcoming of the source of my data.)

This suggests a possible solution to modern Golden Dawn temples. Ideally of course one ought to have a permanently-installed Vault of the Adepti, but this implies that one is fortunate enough to have the venue suitable enough to house it. However, Amoun Temple itself only used a temporary Vault – and this was the temple of which no lesser person than W B Yeats was an alumni!

Unfortunately, Amoun Temple also listed Christine Marie Stoddard amongst its members, so one could argue that Amoun’s temporary Vault didn’t work 100% of the time. 😏

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Golden Dawn Exhibition, 19th December 2013

The Minutum Mundum

To London yesterday, where I assumed human form and attended a strictly-invite only exhibition of artefacts from the original Golden Dawn, dating right from the founding of the Isis-Urania temple and even before.

The place: the Grand Officers’ Robing Room at the United Grand Lodge of England, Great Queen Street. The exhibition was a selection of materials kept in the archives of the Library & Museum of Freemasonry. Although this material has been available for inspection for some time – as I first reported in the post Golden Dawn Manuscripts and Where To Find Them – this was the first time that an actual exhibition had been organised of them. This was quite an event to see so much on display in one place all at once, as usually one can only view each individual piece one at a time. That this came about was mainly thanks to a series of negotiations between Susan Snell, the head archivist, and one of my contacts in the “Illuminati.”

Hegemon and Hierophant wand. They appear to have been made from bannisters!

One of four tablets on display yesterday, each depicting the symbolism of one of the elements (in this instance, Earth).

There was room for fifty people (all seats were taken). As I surveyed the attendees I noted that there were large contingents from two supposedly rival GD orders! I say “supposedly” but this did not stop us going down the pub together later that evening. The actual exhibition was preceded by a talk about the Golden Dawn collections: however it was purely given from a scholarly and archival point of view. That is to say, the speakers were completely expert about how researchers would be able to use the collections to conduct further research into the GD, although they knew nothing of the magic of the GD itself. In that respect, those experts were  in the audience listening to them.

The GD material at Great Queen Street has provenance from two main sources. Firstly, there was a collection which was acquired in 1920: secondly, there was another large collection acquired from a private source in 2008. The staff didn’t actually say who this private source was, although given that a lot of the items on display previously featured prominently in Bob Gilbert’s The Golden Dawn Scrapbook: The Rise and Fall of a Magical Order, it doesn’t take the world’s greatest magician to have a guess.

None of the material was secret per se, as it has all been written about extensively before. However, it was a great pleasure to appreciate the exquisite draughtsmanship and care which the original members of the GD had taken in creating their bits and pieces.

My favourite exhibit was the complete membership roll of the Isis-Urania Temple. It literally was a gigantic (A0) roll, with the name and motto of each member who had passed through its doors, right up until the last initiate who entered in 1910 (the temple was closed two years later). It was great fun picking out the names of all the famous people of whom I had heard. I noticed that a large number of names had been struck through with a line. Some people standing nearby were wondering why those particular names were struck through so I took a closer look and realised: they were the names of all the people who had sided with Mathers at the time of the 1900 schism. Except for Aleister Crowley – whose name was crossed out three times.

"Now that's just being petty."

“Now that’s just being petty.”


NB: All photographs (except the Crowley snap) are taken from the Library & Museum of Freemasonry’s website and are © copyright the Library & Museum of Freemasonry.

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The Order of Great Osiris The Saviour: Part 2

In my previous post on the subject, I had to take down the accompanying photos at the request of the Library & Museum on Freemasonry. However, the nice people at the library have now allowed me to put up new photos – which quite frankly are better quality than the previous ones anyway.

Ritual implements intended for use in the ceremonies, drawn by Florence Farr.

Horus

Horus – drawn by Florence Farr

Image

Hathor and Thoth, drawn by Florence Farr

Osiris and Harpocrates

Osiris and Horus (i.e. Harpocrates), drawn by Florence Farr.

Thanks to Martin Cherry.

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