Why are people so ready and willing to accept magical thinking? – Quora

“Magical thinking” may be out of place in the hard sciences, but Scientists tend to forget – not everything in this world is Scientific. The most obvious example of which is Art – by which I include literature, music, film & theatre, and just about everything we do for cultural and aesthetic reasons.

In order to appreciate a work of Science Fiction, one has to has to have a Magical Thinking mindset, not a Scientific one, because the plot necessarily requires a suspension of disbelief. The same could also be said for horror fiction, fantasy fiction, etc


It is also necessary to accept Magical Thinking in order to appreciate history itself, since as late as the middle of the twentieth century, the Arts were given greater emphasis in education than the Sciences. There was indeed a time when it was thought that you could get farther in life with a knowledge of the works of (e.g.) Shakespeare than of Isaac Newton. This is not necessarily the view of modern education, but if you didn’t actually realise this then you would fail to understand the decision making processes of the world’s most influential people of the comparatively recent past.

Finally of course, Magical Thinking is a requisite for understanding actual magic. 😉


Source: Alex Sumner’s answer to Why are people so ready and willing to accept magical thinking? – Quora

Leave a comment

Filed under Comment

Stop: Hammer Time!

Perhaps this is the ceremonial regalia of an order of which I’m not a member?

This is a follow-up to posts I made last year regarding original Abramelin sources online, to wit: the Dresden Manuscript, the Leipzig Manuscript, and that of the Biblioteque D’Arsenal (which Mathers translated to create the first English edition). All of these posts were basically for my own benefit, so that I at least would know where to go on the internet to find them.

Copy of the Hammer edition of Abramelin held at the Humboldt University of Berlin


I can now add another one: the “1725” Peter Hammer edition. If the date of 1725 is to be believed, this would be the earliest known printing of Abramelin, although I was under the impression that the only available versions of the Hammer edition date from facsimiles made in 1850.


EDIT: No sooner had I published this post but on further searching I actually found a better quality scan – held at the Humboldt University of Berlin. A previous version of this blog post referred to a low quality scan on Internet Archive, which is barely readable. I have now updated the links accordingly.


The magic squares being on page 243.

Incidentally, the attribution of Peter Hammer of Köln (i.e. Cologne) is spurious. There was no such person as “Peter Hammer,” and the imprint wasn’t based out of Cologne, but rather Amsterdam. The fact is that because of the repressive nature of continental Europe the late 17th and early 18th centuries, if you wanted to publish an anonymous book that was in anyway criticial of the monarchies of France or Germany (as was) or was otherwise controversial (e.g. it was a Grimoire which would probably upset the religious authorities), one would take it to “Pierre Martel” (NB Un martel is a kind of hammer) or “Peter Hammer” if in German, who would print it in Amsterdam but say it was done in Germany to throw off the scent.

Interestingly, Mathers himself said that he had heard of an Amsterdam manuscript, so perhaps he actually meant the Hammer edition?

1 Comment

Filed under Supernatural

David Bowie: Closet Occultist!

Q: “So were you involved in actual devil worship?”
A: “Not devil worship, no, it was pure straightforward, old-fashioned magic.”
Q: “The Aleister Crowley variety?”
A: “No, I always thought Crowley was a charlatan. But there was a guy called [Arthur] Edward Waite who was terribly important to me at the time. And another called Dion Fortune who wrote a book called ‘Psychic Self-Defense‘. You had to run around the room getting bits of string and old crayons and draw funny things on the wall, and I took it all most seriously, ha ha ha ! I drew gateways into different dimensions, and I’m quite sure that, for myself, I really walked into other worlds. I drew things on walls and just walked through them, and saw what was on the other side!”

David Bowie, interviewed in NME, 1997


It being 2021, this year will inevitably see many five year anniversaries marked, none more keenly felt than that of the great David Bowie, who together with the passing of Lemmy marked the start of the second worst year of recent memory, to wit – the dreaded 2016. The tragedy was so great that it had the effect of drawing the Occult community, which is normally riven by fractious arguments, together to an unprecedented degree. Ironically, this post which I wrote at the time became the most read article ever on my blog.


So the news this week has been dominated by the passing of David Bowie, and when I consider how much attention was paid to the untimely death of Freddie Mercury – the last pop star of comparable status to leave us – it is almost certain that this event will remain in public consciousness for years to come. Anywho: amongst the magical community, it has been widely noted that Bowie was interested in the occult, as witness his interview with NME quoted at the top of this page, and the back cover over the Station to Station LP, below left:

Photo used for the back cover of Station To Station (1976)

Photo used for the back cover of Station To Station (1976)

Video for Lazarus (2015)

Video for Lazarus (2015)

NB: given the amount of Charlie he was packing away at the time, his precise allegiance might well be pinned to the Holy Order of the Sun! Interestingly, Bowie resurrected the costume covered with, ahem, “white lines,” for his almost-certainly-not final music video “Lazarus” (above right). Might not this video be suggesting that David Bowie did not just keep this costume but this persona hanging up in the closet all this time?

But I digress.

There is an image in the Lazarus video on which a number of bloggers have already commented: where Bowie sits frantically writing at a desk, on which rests a skull. Now the obvious interpretation is that it was a reference to Bowie’s own impending mortality, but when I saw it, it stirred the Sumner Family Brain Cell to life, and got me thinking, where have I seen that before?


See: 3minutes 38seconds.

The answer is: it comes from the first degree (Apprentice) ritual of the Ancient & Primitive Rite of Memphis and Misraim – a particularly esoteric form of Freemasonry. Assuming the candidate for initiation passes the ballot, just before the ceremony of his initiation,

…[t]he Expert (i.e. Junior Deacon) then takes possession of the Candidate in the Parvis, carefully binds his eyes and leads him to the Chamber of Reflection. He has him sit before a table, sparingly furnished with a real human Skull; a lit wax Candle, half-consumed; a sheet of white paper, pen and ink. The seat is a stool without a back. He lights a little Myrrh, the traditional funereal perfume, in a corner of the room, in a Censer containing lit coals.

Expert: – Sir, alone, left to yourself, before an image of termination of terrestrial Life, I invite you to write your Philosophical Testament.

The “Philosophical Testament” consists of the candidate’s reflections on his duties to God, the World, and himself: but more especially, like its name suggests, how the candidate would answer these questions if his words were the final legacy which he leaves on Earth. However, the code-word “philosophical” indicates that one is meant to interpret it alchemically. In other words, Death is not the end for the candidate – i.e. for David Bowie – but is the first step on the path to spiritual transmutation.

So, there you have it – Bowie indulging in esoteric symbolism right up until the last!

33 Comments

Filed under Comment

Review: When Magic Works – edited by Mike Crowson

When Magic Works, edited by Mike Crowson

This is a story of a number of people who are now Adepts, each discovering evidence of the paranormal for the first time, and from that, extrapolating a belief in the reality of Magic. It is a story of the trials and tribulations which initiates go through when progressing through the grades of the outer order. It is a record of the nitty gritty of what is really involved in summoning ones inner resources to put into a Portal thesis, when one attempts to practice Clairvoyance, of astonishing oneself when one succeeds in consecrating a talisman and making it work. It is in short a portrait of everyday life as a member of a magical order, with the qualification that – viewed by an outsider – nothing in this book is in fact “everyday.”

My favourite parts of the book are a guided meditation for Rising on the Planes, intended to demonstrate the work of a typical inner-order member, and which can be utilised as a practical exercise for oneself. Furthermore, there is a curious mention of what happened when a number of initiates used their powers of astral projection to form a side-project of people dealing with occult forces gone bad. I must confess here that I have spoken to the editor who has privately informed me that he deliberately held back on publishing the details of some of the more terrifying incidents in which this group got involved, which is a shame as from the sound of it their exploits would provide inspiration for a score of decent horror movies!


When Magic Works: The Inner Experiences of the Adepts of the UK Temples of the Golden Dawn 2003 – 2018. Edited by Mike Crowson. ISBN 978-1716408069. Available on Amazon and other book stores now.

1 Comment

Filed under Supernatural

Is there a reputable way, a spell or ritual perhaps, to travel through time to a certain point in the past using magic? – Quora

The Akashic Records

(a2a) The magic words you are looking for are “Akashic Records” – google this phrase to research more info. The basic principle is that every thought that has ever existed has left its imprint on the Akasha, which is like Universal Mind-Substance (also known in old books of occultism as “Ether” or just “Spirit.”) Hence it ought to be possible to psychically attune yourself to the Akashic Records and examine the past through a kind of clairvoyance.

The important point to remember is that although you would see and observe the past, you would not be able to interact and interfere with it. Still, great for historical research or for doing things like recovering past-life memories.

In ceremonial magic, the Archangel Tzaphqiel (whose name means “Knowledge of God”) is thought to be the keeper of the Akashic Records, so if you were to go down this route you should think of trying to invoke this being.


Source: Alex Sumner’s answer to Is there a reputable way, a spell or ritual perhaps, to travel through time to a certain point in the past using magic? – Quora

Leave a comment

Filed under Supernatural

Alex Sumner’s answer to What does the astrological chart predict for 2021? – Quora

Mundane astrology, i.e. the astrology of world events, is usually done by taking a chart for the moment of the Spring Equinox. As a resident of the UK I have thus analysed a chart for Saturday 20th March 2021, 0937 (the exact moment of the Equinox), London UK. You will appreciate therefore that most of what I will say comes from a British point of view.

A horoscope for the moment of the Spring (March) Equinox – Saturday 20th March 2020, 0937, London UK

The good news is that the COVID-19 crisis will end. The bad news is that the Aftermath of COVID-19 will begin.

Moon is in Gemini in the 12th House, conjunct North node and Mars, trine to Saturn and Jupiter. The general population will react positively to the end of the COVID-19 crisis, but there will be a great upheaval in people’s lives, caused by a great awareness of having to look after the sick and elderly. A major theme will be that a lot of people will be complaining that they didn’t realise just how much the aftermath of COVID-19 would affect them. Workers will demand – even to the extent of going on strike – the right to take (more) leave from work in order to care for sick relatives, and there will almost certainly be major public protests about this.

On the plus side, however, the Sun is in the 11th House, the House of Friendship, analogous to Aquarius, the sign of humanistic ideals and service to others. It is conjunct Venus, which in mundane charts represents Women. We may thus expect Women rise to prominence in public life, achieving great things in government and politics. 2021 will be a good year for Feminism – women’s issues will figure heavily in the business of Parliament.


Source: Alex Sumner’s answer to What does the astrological chart predict for 2021? – Quora

Leave a comment

Filed under Supernatural

Abramelin Adventures: Alex vs COVID-19

An image based upon square 4, chapter 18 of Book IV of Abramelin – “To Heal Plague.”
© Alex Sumner 2020
For a full explanation, read on…

Following on from my previous post on Alchemy, my thoughts turned to whether it is possible to use the Sacred Magic to help with the current COVID-19 pandemic. Looking through my book of word-squares I noted that square 4 of chapter 18 is entitled “To Heal Plague.” I figured that this was the closest thing, the moreso because the name COVID-19 didn’t exist in the fifteenth century.

The square given by Dehn – which corresponds to the versions in both the Dresden and Leipzig manuscripts – goes thus:

D E B H E R
E R A O S E
B A R I O H
H O I R A B
E S O A R E
R E H B E D

NB: “Debher” is a phonetic rendering of the Hebrew דבר meaning a “plague, murrain or pestilence” – this at least makes the association of the square with healing plagues plausible, especially compared to “Bebher” (sic), the equivalent in Mathers’ Biblioteque Arsenal manuscript.

Now: riffing on a theme I mentioned in my previous Abramelin post, the word squares are meant to incorporate the names of various spirits in them. This particular Square is under the presidency of Amaymon – however: it does not contain the name of either Amaymon himself or any of his servant spirits. The third line, Barioh, however, is one letter away from the name Bariol – who is  one of Amaymon’s servants. At least according to Dehn, Dresden and Leipzig – Mathers’ version gives this spirit as “Buriol,” just to confuse matters. Hence, the Sumner Family Brain Cell cogitated, might this square be actually governed by “Bariol,” and if so, is this square lettered correctly?

As it happened, when I did some magical work on the subject, I received a message that although the word in the third line is indeed inspired by the name Bariol, instead of changing the lettering a more suitable way to link the energy of the spirit with the word-square would be to enclose it in a circular border, thus:

Alex Sumner’s version of square 4, ch18 of Book IV. © Alex Sumner 2020

I have therefore attempted to deploy this word-square to save this planet from the current Pandemic – hence the illustration at the top of this blog post. Ironically, however, in the short time between me planning this magical operation and me getting around to actually carrying out, I note that a vaccine has now been approved for use, although at the time of writing it has not been yet widely distributed, so this new word-square will probably only become relevant for the next pandemic…

4 Comments

Filed under Supernatural

Hyperspace

Do not read this blog post if you do not want your mind-blown outside the bounds of four-dimensional space-time. Kind of like what happens when the characters in The Great God Pan look upon the face of the supernatural unveiled. Or when the powder of Ibn Ghazi hits the spot in The Dunwich Horror. This  happened to me as a side-effect of undertaking my Abramelin operation this year (i.e. my mind being blown, not literally having an experience with the child of Yog Sothoth), so now I’m inflicting this upon the rest of humanity. Muah ha ha! Ia Shub Niggurath!

But I digress. We normally think of space-time as having four dimensions: height, width, depth, and time. But ask yourself this:

How big is a Thought?

How wide is a dream?

How deep is a Memory?

Thoughts, dreams and memories all exist, hence they must exist within spacetime, yet they can’t be measured in terms of the conventional four dimensions. Hence they are Dimension-less, no?

It occurred to me, whilst I was in some altered state of consciousness or other, that if a thing exists yet cannot be measured in terms height, width, depth or time, then the fact of its existence must constitute a separate Dimension in addition to the preceding four. Hence, we are actually living in five-dimensional space-time, to wit:

  1. Height
  2. Width
  3. Depth
  4. Time
  5. Existence (Karl Popper’s Third World, that of the Objective contents of Thoughts). 

Now, this is where things get complicated. Consider the following diagram:

Domain coloured representation of a complex function

Despite the lurid nature of the introductory paragraph, this is not meant to induce major SAN loss. Instead it’s essentially a colour-coded diagram.

Complex numbers are those which consist of a Real and Imaginary part, the latter being a multiple of i, the imaginary square root of -1. Such numbers cannot be represented on a number-line, but they can be represented on a graph – an “Argand Diagram” – where two number lines become the two axes.

However: what if one wanted to display the effects of a Function which involves Complex Numbers? If one were using only Real numbers, this would be easy – just plot a graph. However, this can’t be done with Complex Numbers, as the set of Complex Numbers on which the Function is already performed is already a graph – that is to say, a two-dimensional diagram. Hence the only way to plot a function with Complex Numbers is to somehow come up with a four dimensional diagram – two dimensions for the original Complex Number, and a further two to represent the results of the Function when applied to that number.

It is not literally possible to represent Four Dimensions in just two. Hence, some way must be found to approximate the results – one such way might be by “Domain Colouring,” producing a diagram like that above. In computing terms, every possible colour has an RGB value, or 24-bits. Hence a Complex Number may be represented by assigning 12 of those bits to the Real part, and 12 to the Imaginary part. The colour of the diagram thus becomes the two extra axes needed to complete the Four-Dimensional representation. We have in effect simulated the representation of four dimensions in two dimensions, by adding extra layers of Meaning to the two-dimensional plane.

What however would happen if one were to analyse the above picture from a Magical perspective? One might break it down as follows:

The Complex Plane No extra layers of Meaning The Two Dimensional Object
The colour of each point on the plane, which has been calculated mathematically. Two extra layers of Meaning (representation of) the Four Dimensional Object
Subjective perception that Red is associated with Mars, Orange with the Sun, Yellow with Mercury, etc etc etc Even more extra layers of Meaning (representation of) a Five- or more- Dimensional object, i.e. a Hyperdimensional Object.

Again, consider the following photograph:

Aleister Crowley in A.'.A.'. regalia making the sign "Vir."

Aleister Crowley

This might be analysed thus:

The two dimensional plane – i.e. your computer or phone screen No extra layers of Meaning The Two Dimensional Object
The particular gradation of light and shade to serve precisely defined purpose – i.e. to depict a person. In this instance, one extra layer of meaning (representation of) the Three Dimensional Object
Objective facts associated with this photograph, i.e. that it depicts Aleister Crowley Extra layer or layers of Meaning (representation of) the Four or more Dimensional Object
Subjective thoughts that one adds thereto, e.g. ones feelings about Crowley, his life and / or teachings, Thelema, etc Even more layers of Meaning (representation of) a Hyperdimensional Object with potentially unlimited number of dimensions (? 93?)

Or again, this Tarot card, from the BOTA deck:

Key 1, “The Magician,” from the BOTA tarot deck.

Without going into as much detail as previously, one may say that this can be analysed in terms of:

  • The two-dimensional plane;
  • The objective fact that it depicts a specific Tarot card;
  • The layer of meaning BOTA teaches in the Introduction to Tarot course;
  • The layer of meaning BOTA teaches in the Tarot Fundamentals course;
  • The layer of meaning BOTA teaches in the Developing Supersensory Powers course;
  • The layer of meaning etc etc etc you get the idea.

In other words – “Meaning” is our way of depicting Higher Dimensions within the confines of conventional Space-Time. Meaning is not those Higher Dimensions themselves, but a convenient representation thereof. Consequently, it is possible if not to conceive of Hyperspace, then to conceive of approximations thereof, hence:

  1. Height;
  2. Width;
  3. Depth;
  4. Time;
  5. Existence;
  6. Layers of Objective Meaning which one overlays the preceding five; and
  7. Layers of Subjective Meaning which one overlays any or all of the preceding;

The final two being virtual categories allowing for a potentially infinite number of actual dimensions. Conversely when, in Occultism, one studies a Symbol and one perceives that it has many layers to it (as all good symbols do), one may conceive of the Symbol as an object existing in Hyperspace, either metaphorically or even literally.

was going to answer a question on Quora.com, “What do I do if I just threw my tarot cards on the ground out of anger?”  A number of respondents answered along the lines of “Get rid of them, for they come from Satan!” Some more respondents answered “Get rid of them, they are a load of rubbish anyway.” A number just responded, “Just pick them up and clean them up, they’re just cards.”

“But,” I thought to myself, “they’re not just cards.” The simple answer to such a question would go like this:

Assume for one moment it is your unconscious mind which does the divination, and the tarot cards are just tools it employs for the purpose. Your Unconscious Mind will remember the day you treated its tools with disrespect, and will respond by showing you a similar lack of concern, by not providing you with an accurate tarot divination again.

However, a hyperspatial analysis might go like this: they are cards with pictures on them; pictures which have multiple layers of meaning both objective and subjective – and moreover, the connections which one builds with them in ones mind become reified as the psychic keys which unlock the intuition which in turn provides the real answer to the divination. A Tarot Card is thus a perfect example of a Hyperdimensional magical object – nay, a Hyperdimensional Entity – of which the Card laying on the ground where it has been carelessly thrown is but a five dimensional cross-section: which is a long way of saying that a Tarot card is far too important to ever be treated lightly.

I rather think that many of the concepts across which one comes in the Western Mystery Tradition, which at first sight are unexplainable to the rational mind, suddenly become explainable when one starts thinking in terms of the geometry of higher dimensions. For example: the Qabalistic Tree of Life. We all know that it has Ten Sephiroth and Twenty-Two paths, but some theories also say there are four Qabalistic Worlds, and moreover, each Sephirah has a Tree within it. Is there one Tree, four Trees, or forty? Are there Ten Sephiroth or four-hundred? Are (e.g.) Kether of Atziluth, Kether of Briah, Kether of Yetzirah, and Kether of Malkuth the same, different, related to one another, separated or conjoined and if so how? Is each one within the succeeding one like Russian dolls, and how can one conceive of any of them if they are or they are not?

One could try to resolve the incongruities by assuming that curious position of the meditative mind in which all dualities are resolved and the critical intellectual faculty is by-passed… if one wanted to limit oneself to thinking in three-dimensions. Alternatively, one could regard the Tree of Life as a Hyperspatial Object – that each Sephiroth is not a Sphere but a Hypersphere – in which case one can perfectly reasonably say that there is only one Tree of Life, one set of Sephiroth and Netivoth, and that a particular part – e.g. Malkuth of Malkuth of Assiah – is but a cross-section of the Hyper-Object (in this example, the Malkuth Hypersphere) that happens to be visible to us at one particular moment.

Ironically, though, Higher Dimensional Geometry also forces us to re-evaluate what we think we know about esotericism. For example: many of the theories which are candidates for a “theory of everything” in Physics posit the existence of multiple dimensions. If one were therefore to look at this from a Magical perspective, one would have to say that if the Universe is inherently Hyperspatial, then the Creator of the Universe must be a Hyperdimensional Deity. Hence, when we try to represent this Hyper-God using lower-dimensional symbols, we must accept the inevitability of failing to capture a fully accurate picture. The Sepher Yetzirah, for example, suggests that the Twenty Two letters of the Hebrew Alphabet can be arranged to form the Cube of Space. But what if the cosmos were more accurately represented not by a Cube but by a Tesseract? Or a Hypercube of five or more dimensions? If the former, then the Hebrew Alphabet would have to have forty-nine extra lettersHey! Perhaps that means the language spoken by God and His angels in Heaven is infinitely more complex than anything of which us lower-dimensional creatures can conceive? I have not calculated how many letters would be required to make a hypercube of any higher order, primarily for my own convenience, but also because I feel that without knowing just how many dimensions in total are involved, it would be idle speculation.

“If the Universe is inherently Hyperspatial, then the Creator of the Universe must be a Hyperdimensional Deity.”
Crucifixion (Corpus Hypercubus) – Salvador Dali, 1954.

 

1 Comment

Filed under Comment

Abramelin Adventures: Alchemy

I P O M A N O
P A M E R A M
O N A L O M I
M E L A C A H
A R O R A M I
N A M A L O N
O M I H I N I

The third word square of Book IV, chapter 7 of the Book of Abramelin (Dehn), “To learn all sorts of alchemical arts from the spirits.”
Note that I have altered the sixth line from that given in Dehn, as explained below.

This post follows on thematically from Abramelin Musings: Square Dancing, which I wrote back in June, or as I call it, Day 53. In the previous post I suggested a method of how to verify the correct lettering of any given word-square, by skrying into it – an idea inspired by Aleister Crowley. I therefore decided to put my money where my mouth was, by actually trying this out myself, selecting the third square of chapter 7, book IV of the Book of Abramelin.

Chapter 7 is entitled “To have the spirits make alchemy work,” whilst the third word-square is described as “to learn all sorts of alchemical arts from the spirits.” The word-squares of this chapter are given by the Holy Guardian Angel and are under the presidency of Ashtoreth and Asmodi – it is also said that the works of this chapter can also be carried out by the serving spirits. I did not choose this word square arbitrarily or at random, neither did I do it out of curiosity. Instead I had an eye to my long-term magical career, thinking that improved knowledge of Alchemy could only be a good thing – it is the Great Work, after all!

Dehn gives this as IPOMANO, PAMERAM, ONALOMI, MELACAH, ARORAMI, NANAMON, OMIHINI.  Now it so happens that on the third day of Convoking the Dæmons – the day on which one conjures them specifically to empower the word-squares of “signs” as to which they are referred – it is implied that the signs may contain the name(s) of the spirits which rule them. “Aha!” I thought. “Surely if this square contains the name of a spirit, it would be one of those listed as being the servants of Ashtoreth and Asmodi?” However, consulting this list drew a blank – at least at first. However, I did notice that one of the spirits named was NAMALON – the upshot of my attempts at clairvoyance suggested that this should replace the sixth line of the word square (see the results at the top of this page).

Why however should the Royal Art be in the province of Demons at all? Why should such a noble science as Alchemy be associated with black magic? The answer, I believe, lies in achieving a full understanding of what’s going on with the Abramelin process. Attaining Knowledge & Conversation of the Holy Guardian Angel is all about sublimating supposedly evil forces to a good end. Thus the true Adept, having integrated the Demonic powers with his Holy Guardian Angel, sees Alchemy’s full spiritual potential as a means of attaining the loftiest goals of Hermeticism (and conversely: a true Alchemist who is firmly committed to the spiritual path is undoubtedly being led by angelic forces). The “puffer” however, meets the Demon of Alchemy without it being conjured to play nicely with one’s HGA, with the result that he misses its spiritual side and is seduced by the lure of materialism, seeking after ordinary gold instead of its Philosophical equivalent.

I hesitate to be dogmatic about my findings, and would encourage others not to take my word for it and investigate the word-squares to verify them for themselves. As to whether I myself have discovered all the secrets of Alchemy through this process – well I certainly can’t claim to have completed the great work by any means, although I do think the experience helped my understanding of internal alchemy, showing me how it fits in nicely with the writings of Sendivogius, Kirchweger, Paracelsus and, of course, the Emerald Tablet. Whether I am on the right track or not will be the subject of a future blog post, if I am still incarnated in a physical body by that time.


Thanks to my Holy Guardian Angel, my familiar spirits, Ashtoreth, Asmodeus and the spirit Namalon.

2 Comments

Filed under Supernatural

How can you return black magic back upon the sender’s own head?

banishing earth pentagram

Banishing pentagram. Start from the lower left point and continue around, finishing where you started.

Those swines at Quora.com deleted one of my answers there on the grounds that it violated one of their policies. They didn’t say which policy, and on the basis that my answer did not – for once – contain any smut or bad language, I must assume it was because I included a link to Aaron Leitch’s website in it. (NB: I’m sure they had nothing personal against Aaron Leitch, it was just the fact that it was an external website).

Anywho, I was just answering a simple little question, to wit: “How can you return black magic back upon the sender’s own head?” My reply:

Witches Janet & Stewart Farrar wrote that all that is needed to send such magic back to its caster is a sufficiently powerful magical defence. With this in mind you cannot do better than the Lesser Banishing Ritual of the Pentagram, which is the classic basic protection ritual.

It occurred to me that I wrote this a few years ago, so would I have anything to add to that? If I had not been in a hurry I might have added that there are other ways apart from the LBRP, of course. For example: just by living a virtuous life. Porphyry told a story that a philosopher called Olympius once tried to curse the great Neo-Platonist Plotinus – only for the curse to bounce right off and affect the embittered upstart instead. Plotinus was by all accounts a highly spiritually advanced person, but he did not practice ritual magic as far as anyone knew, so his powers of magical protection must have arisen as a side-effect of his other spiritual practices.

There are probably many other miscellaneous techniques but the only other one of which I have direct experience is that if one actually knew what skulduggery any given sorcerer were up to, it would be possible to craft a magical defence specific to that situation. This is a rare occurrence, as usually if a sorcerer is powerful enough to cast effective magic, they will not be stupid enough to broadcast the fact they are doing so (fourth power of the Sphinx and all that), but it has happened.

Leave a comment

Filed under Supernatural