Q: “So were you involved in actual devil worship?”
A: “Not devil worship, no, it was pure straightforward, old-fashioned magic.”
Q: “The Aleister Crowley variety?”
A: “No, I always thought Crowley was a charlatan. But there was a guy called [Arthur] Edward Waite who was terribly important to me at the time. And another called Dion Fortune who wrote a book called ‘Psychic Self-Defense‘. You had to run around the room getting bits of string and old crayons and draw funny things on the wall, and I took it all most seriously, ha ha ha ! I drew gateways into different dimensions, and I’m quite sure that, for myself, I really walked into other worlds. I drew things on walls and just walked through them, and saw what was on the other side!”
David Bowie, interviewed in NME, 1997
It being 2021, this year will inevitably see many five year anniversaries marked, none more keenly felt than that of the great David Bowie, who together with the passing of Lemmy marked the start of the second worst year of recent memory, to wit – the dreaded 2016. The tragedy was so great that it had the effect of drawing the Occult community, which is normally riven by fractious arguments, together to an unprecedented degree. Ironically, this post which I wrote at the time became the most read article ever on my blog.
So the news this week has been dominated by the passing of David Bowie, and when I consider how much attention was paid to the untimely death of Freddie Mercury – the last pop star of comparable status to leave us – it is almost certain that this event will remain in public consciousness for years to come. Anywho: amongst the magical community, it has been widely noted that Bowie was interested in the occult, as witness his interview with NME quoted at the top of this page, and the back cover over the Station to Station LP, below left:
NB: given the amount of Charlie he was packing away at the time, his precise allegiance might well be pinned to the Holy Order of the Sun! Interestingly, Bowie resurrected the costume covered with, ahem, “white lines,” for his almost-certainly-not final music video “Lazarus” (above right). Might not this video be suggesting that David Bowie did not just keep this costume but this persona hanging up in the closet all this time?
But I digress.
There is an image in the Lazarus video on which a number of bloggers have already commented: where Bowie sits frantically writing at a desk, on which rests a skull. Now the obvious interpretation is that it was a reference to Bowie’s own impending mortality, but when I saw it, it stirred the Sumner Family Brain Cell to life, and got me thinking, where have I seen that before?
See: 3minutes 38seconds.
The answer is: it comes from the first degree (Apprentice) ritual of the Ancient & Primitive Rite of Memphis and Misraim – a particularly esoteric form of Freemasonry. Assuming the candidate for initiation passes the ballot, just before the ceremony of his initiation,
…[t]he Expert (i.e. Junior Deacon) then takes possession of the Candidate in the Parvis, carefully binds his eyes and leads him to the Chamber of Reflection. He has him sit before a table, sparingly furnished with a real human Skull; a lit wax Candle, half-consumed; a sheet of white paper, pen and ink. The seat is a stool without a back. He lights a little Myrrh, the traditional funereal perfume, in a corner of the room, in a Censer containing lit coals.
Expert: – Sir, alone, left to yourself, before an image of termination of terrestrial Life, I invite you to write your Philosophical Testament.
The “Philosophical Testament” consists of the candidate’s reflections on his duties to God, the World, and himself: but more especially, like its name suggests, how the candidate would answer these questions if his words were the final legacy which he leaves on Earth. However, the code-word “philosophical” indicates that one is meant to interpret it alchemically. In other words, Death is not the end for the candidate – i.e. for David Bowie – but is the first step on the path to spiritual transmutation.
So, there you have it – Bowie indulging in esoteric symbolism right up until the last!